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Editready pc
Editready pc













editready pc

The new color conversions options (available through the color conversion panel) let you quickly choose between Rec709 (SDR) and PQ or HLG (HDR). If you're shooting in RAW, or clients bring their RAW footage to you for editing, you'll need to make edit-friendly versions unless you're committed to the cumbersome option of an all-RAW workflow. It's all about giving you control watching your back when you're busy watching something else. With the release of EditReady 22.2, our new Color Conversion panel takes this philosophy into the color domain, giving you choices where you need to make them, and making sensible decisions where you don't - or where you're simply too flat out to worry about it. Not familiar with terms like mezzanine, 709, PQ, and HLG? Check the explainers at the end of the blog! Color Conversion panel

editready pc

So we take your camera media and convert it into a "mezzanine" format - a single codec like ProRes or DNx that preserves its visual quality without the overhead of big and unwieldy camera files.

editready pc

The clue's in the name: we've always focused on getting bulky camera footage into an NLE in a shape and form optimized for the job. With EditReady, we want to make sure you don't end up there. Typically these errors don't get caught until late in the production chain (grading, conforming, etc.) - when time's tightest and costs are at their peak. You might not notice a single, subtle error, but they can add up to a project that's just "off" for no obvious reason. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs.

#EDITREADY PC SOFTWARE#

Software that has "awareness" of color workflows, understanding the possibilities while remaining simple to use even in the most stressful projects. But for post-professionals to make the most of the myriad of technical and creative choices it brings, they need better software. The advent of HDR, RAW video, and wider colorspaces mean that post-production workflows are dramatically better at dealing with high-end images today than they were a decade ago.















Editready pc